05-24-2012, 04:32 PM
KDT,
"Stretched on the bed under midday light,
light in my hands—like air, bare,
barely grasping that you are not there. "
considering the shortness of the poem, it seems counterproductive repeating yourself.
Maybe something like
Stretched on the bed under the midday sun,
it's light in my hands: like air, weightless and bare-
ly grasping that you are not here (implied, "with me").
I'm not a big fan of enjambment (as to me it always seems contrived), but I think it might help to convey the sense of separation. I think it helps to bridge a frankly sort of odd simile in line two, with her absence in line 3. I know you used "there" to mean, there in your hands, but that really doesn't come across (and personally that's just a weird image, because I mean, what part of her is going to be in your two hands, either T or A) and the focus is with you, not in your hands, unless you are talking about a pigeon or something, but I get the sense you are referring to a different type of bird
dale
"Stretched on the bed under midday light,
light in my hands—like air, bare,
barely grasping that you are not there. "
considering the shortness of the poem, it seems counterproductive repeating yourself.
Maybe something like
Stretched on the bed under the midday sun,
it's light in my hands: like air, weightless and bare-
ly grasping that you are not here (implied, "with me").
I'm not a big fan of enjambment (as to me it always seems contrived), but I think it might help to convey the sense of separation. I think it helps to bridge a frankly sort of odd simile in line two, with her absence in line 3. I know you used "there" to mean, there in your hands, but that really doesn't come across (and personally that's just a weird image, because I mean, what part of her is going to be in your two hands, either T or A) and the focus is with you, not in your hands, unless you are talking about a pigeon or something, but I get the sense you are referring to a different type of bird

dale
How long after picking up the brush, the first masterpiece?
The goal is not to obfuscate that which is clear, but make clear that which isn't.
The goal is not to obfuscate that which is clear, but make clear that which isn't.

