10-14-2011, 04:16 AM
(10-13-2011, 11:03 AM)Heslopian Wrote: row by row these saplings reach for what the clouds possess, --i wonder how necessary "row...these" is, starting instead with "saplings." I could argue for them --the rows of trees mirroring the rows of lines of a poem, among others-- but it does seem to stall the scene a bit for mehope this is helpful and makes sense!
shedding autumn leaves like crumbs. weaving through them students flock
in groups to bus shelters. some barks are thin as catwalk girls, --great placement of the students, literally weaving them between the descriptions of the trees. agree with billy on the "in groups"
others full-figured, but all unite in nakedness, I think you can find a stronger description than "full-figured". the word "nakedness" really stands out, but I'm not sure about it
male fingers of the sky unbuttoning each dress. interesting use of gender. as whole, I like the line
day flits between elysian light and geriatric brows,
grey clouds making cameos. perching in the bare branches, ---and they do make cameos, as in this poem. But I'm not sure if this is just nice to add or a new element for the whole poem.
like stuffed birds nailed there, are dormitory windows. --"stuffed" feels a little unnecessary with "nailed" for me. I like the idea of turning windows into birds
new leaves will obscure this view come the promised year,
humanity's dusk, which even college trees must dread. --strong finish
Written only for you to consider.

