47 minutes ago
(10-13-2026, 06:32 PM)wasellajam Wrote: Love, After (edit 1, the Pen)I love coming back to this poem and appreciate the changes. Having the "thirty, twenty, ten" first word of each stanza creates alot of context around relationships and change.
Thirty years of clutching
the wheel through blizzards
and black ice skids.
Twenty years of habitual
designated driving,
hand over glass. "hand over glass" grows on me every read and I think its definitely one of the strongest lines. (In my defense) Most art I love starts off as confusion and when it hits, it hits better than the things already understood.
Ten years now of you
offering up the passenger seat,
I watch the hills roll. Just an option, "Watching" could evoke movement and present-ness. Instilling and idea that maybe this poem are the current thoughts of the narrator.
Stanza three changes adds alot to the poem, but there is somethings left behind that the first edit offers. I feel like I prefer the edit overall, its a steady tone and consistent. "I watch hills roll" gives me a feeling of being reflective. Which is perfect for the themes of the poem, but doesn't spell anything out about the narrator overtly.
Where as the initial version has a tone shift that admits intention, compromise. I could honestly see some readers potentially liking the previous version because there is a looseness and humility behind the narrator. One idea could be blending the two keeping
Ten years now of you
offering up the passenger seat
I sink into....
Is this a good or bad idea, I have no idea. (moments like these are why I find crit hard haha)
Anyways awesome ideas and edit. Thanks for the read
Only one thing is impossible for God: To find any sense in any copyright law on the planet.
--mark twain
Bunx
--mark twain
Bunx


