11-11-2022, 05:25 PM
Hi Miley,
Nice tone here, and some interesting images/phrases. I think "its" should be "it's" (as in "it is") throughout. Overall, the poem felt unbalanced in that the first 3 verses are a continuation of one main idea, whereas the last takes it in a different direction that then feels unexplored. You could give at least one more verse, and it could subtly give some context about the person involved, as I feel there's some detail lacking there.
All the best,
Trev
Nice tone here, and some interesting images/phrases. I think "its" should be "it's" (as in "it is") throughout. Overall, the poem felt unbalanced in that the first 3 verses are a continuation of one main idea, whereas the last takes it in a different direction that then feels unexplored. You could give at least one more verse, and it could subtly give some context about the person involved, as I feel there's some detail lacking there.
All the best,
Trev
(11-05-2022, 03:39 AM)Miley Wrote: Its not sunset[/s]
or the last leaves of autumn
or gentle into that good night[,] no
no metaphor, not yet.
Its high-noon, loud, summer,
quick, and [smelling of] car exhaust.
Just a glance–downtown,
asphalt, opposite McDonalds, in the divider.
Its not sleep. Even from my distance
I see its not sleep. Too stiff,
too much like driftwood, sun dried, petrified.
Too much like wood
on its way to stone, too quick.
And there's the women
back broke[n with] grief
washing [s]over his husk
crashed over and foaming nearly as loud
as [summer holiday] traffic.

