08-24-2021, 10:35 AM
Synchronicities are happening, I was going to say all the time, but time is just another expression in which for things to occur. Working with symbol correspondences, you have keys to things. You could say you make things happen, or things are going to happen and you mold yourself into having had wanted those things to happen. The theorizing, like time, is another expression in which things happen.
I use three sets of standards, Keys, Knives and Correspondences. Keys/Languages, Knives/Contexts, Correspondences/Resonances.
William Burroughs talks of agents, fitting the world of mid Twentieth Century agencies of control, the aesthetic knives and atmospheres of CIA programs and Nazi laboratories and pulp novels, magazines and newspapers. Other people use angels in their contextual realms. And others use angles.
If you're in a rather large old apartment with stairs and a high ceiling, you can look at the outlines of the room and highlight, in your mind, the angles, and things can resonate in and around you. And if there is a mirror on a wall there are added other layers and dimensions to move through in your adventure. I find it useful to concentrate on lines and angles, and close my eyes, sometimes using different intensities of light and one eye or the other open and closed. It doesn't take long for the geometry to show up clearly in dark of your closed eyes. These in different colors and in different dimensions. I sit with my eyes closed, and let whatever appears appear in a form of scrying. Since the original geometrical shapes and sigils morph into other shapes and colors beyond what I started with.
This goes over into my dreams. There are the states of dreams pouring over me before I fall asleep and as I'm waking up, and layered dreams and mirrors of dreams. Using these symbols and imprinting them on/in me gives me cues in waking life and in dreams. And though I'm often lucid on some level of my dreams, the more I utilize symbol sets and act them out in repetitive ritual early in the morning and late at night, the more often I can perform long and powerful rituals, and be instructed by angels and spirits in my sleep.
Doing meditations, sitting and walking meditations at the same times each day, Whatever you're doing you stop and meditate, breaking up the momentum of each situation, that is a cut-up method, cutting up experience.
Another thing, denying the validity of every idea that comes into my mind, thinking or overhearing, blasting the reality and weight of everything, synchronicities flow, and as my mind is clear and receptive, and my arena of context able to see the connections, and all without that horrid experience of paranoia that can come if you let the undeniably specific and multirelevant synchronicities get to you.
I use three sets of standards, Keys, Knives and Correspondences. Keys/Languages, Knives/Contexts, Correspondences/Resonances.
William Burroughs talks of agents, fitting the world of mid Twentieth Century agencies of control, the aesthetic knives and atmospheres of CIA programs and Nazi laboratories and pulp novels, magazines and newspapers. Other people use angels in their contextual realms. And others use angles.
If you're in a rather large old apartment with stairs and a high ceiling, you can look at the outlines of the room and highlight, in your mind, the angles, and things can resonate in and around you. And if there is a mirror on a wall there are added other layers and dimensions to move through in your adventure. I find it useful to concentrate on lines and angles, and close my eyes, sometimes using different intensities of light and one eye or the other open and closed. It doesn't take long for the geometry to show up clearly in dark of your closed eyes. These in different colors and in different dimensions. I sit with my eyes closed, and let whatever appears appear in a form of scrying. Since the original geometrical shapes and sigils morph into other shapes and colors beyond what I started with.
This goes over into my dreams. There are the states of dreams pouring over me before I fall asleep and as I'm waking up, and layered dreams and mirrors of dreams. Using these symbols and imprinting them on/in me gives me cues in waking life and in dreams. And though I'm often lucid on some level of my dreams, the more I utilize symbol sets and act them out in repetitive ritual early in the morning and late at night, the more often I can perform long and powerful rituals, and be instructed by angels and spirits in my sleep.
Doing meditations, sitting and walking meditations at the same times each day, Whatever you're doing you stop and meditate, breaking up the momentum of each situation, that is a cut-up method, cutting up experience.
Another thing, denying the validity of every idea that comes into my mind, thinking or overhearing, blasting the reality and weight of everything, synchronicities flow, and as my mind is clear and receptive, and my arena of context able to see the connections, and all without that horrid experience of paranoia that can come if you let the undeniably specific and multirelevant synchronicities get to you.