01-19-2018, 04:34 AM
(12-17-2017, 05:50 AM)vagabond Wrote: inversion
she recited this quote
out of a novel by emily autumn:
"you are a terribly real thing
in a terribly false world,
and that, i believe,
is why you are in so much pain" -- I believe this is also an allusion to Alice in Wonderland but I couldn't tell you if it's lifted or just paraphrased (I despise Alice in Wonderland!)
so... -- probably better with a comma here
he said
and closed the book
let´s forget about wayward words for a while.
you -- this line break, while emphasising "you", seems a little forced in conjunction with the next line. To remedy, I'd actually suggest breaking the stanza at this point, and joining the next three lines into one stanza.
have become
a terribly false thing
in a terribly real world
which is why you scavenge the dirt -- you could possibly just remove "this is why" and make it more forceful
below your black-painted nails
and try digging a worm hole. -- "try to dig" is more immediate than "try digging" -- you could try changing it and see if you prefer it
but...
i thought i touched on a blade, -- why not just "touched a blade"? We would usually "touch on" a subject in conversation, not an object, unless this is your purpose as metaphor
left from this place,
when the quote had not yet -- perhaps "when the words had not yet/ inverted their sense"
inverted its sense
and then.. -- not keen on all these elliptical beginnings -- do you need this at all?
i was at a loss,
in this time before words -- you might consider "in this before-time" or even "beforetime" (and remove "words", because they've shifted to thoughts now)
when there wasn´t a choice
of which is illusion, -- I'm not really getting the point of this line -- when read with the last, it's not making great grammatical sense
when metal was hot
and i felt it, too. -- I like this convergence of real and imagined/ unreal/ insane -- you could even consider "and I was burned" or something visual/ sensory
It could be worse
