Days of yesteryear are gray,
damp and plastic in our fingers,
molding light and color; sounds
are fixed with slip or carved away,
or ticking hands will sculpt for us.
Edit 7: Argil
Memories, damp and gray, are plastic in our fingers, shaping light and color; sounds are fixed with slip or carved away, or an abstract artist sculpts for us.
Edit 6: Argil
Memories are damp and gray
and plastic in our fingers shaping
light and color; sounds are fixed
with slip or carved away, or
an abstract artist sculpts for us.
Edit 5: Argil
Memories turned damp and gray
and plastic in our fingers shaping
light and color; sounds are fixed
with slip or carved away, all
when an abstract artist
is not sculpting for us.
Edit 4: Argil
Some-time-ago turned gray
and wet within our fingers shaping
light and color; sounds are glued
with slip or carved away, all
when an abstract sculptor
is not sculpting for us.
Edit 3: Plasticity
Moments become damp and gray
between fingers that begin to mold
light and color; sounds are carved
away or attached with slip
when the shady sculptor
isn't sculpting for me.
Edit 2: Plasticity
A moment becomes damp and gray
between my fingers, they begin
to mold light and color; sounds
are carved away or attached with slip,
when a shady sculptor
isn't sculpting for me.
Edit 1: Plasticity
A moment becomes damp and gray
between my fingers. My hands begin
to mold colors, and sounds are carved
or scored into and attached with slip
if it all fits a metaphor, or
a shady sculptor sculpts for me.
Original: Plasticity
A moment becomes damp and gray
between my fingers. My hands begin
to mold a bench's color, and words
are sometimes carved or added if
it all fits a metaphor, or a shady sculptor
sculpts for me.
Considered titles were: Plasticity, Clay, Greenware, How Gravity Warps Clay (which I feel just makes the piece more complicated than it needs to be)