04-17-2015, 12:04 AM
(04-14-2015, 06:53 AM)aland88 Wrote:I will take this compliment to heart. Thank you. Thank both of you for the Williams nod.(04-14-2015, 05:50 AM)Heslopian Wrote:I would agree with the William Carlos Williams connotation here, particularly as relates to the last lines. It reminds me a little of the Imagists in general.(04-13-2015, 02:39 AM)71degrees Wrote: IReading the first line, I was worried that this would be a grammatically tortured angst poem, but actually it's almost the opposite. It's brisk, imagistic, and witty, with perfectly placed commas. It reads like a William Carlos Williams in its deceptively simple language and presentation. It's a landscape with a world beneath it, if that makes sense. Thank you for the read
Inside my house, the many walls,
all these things interrupting other things
Outside my house, the lines
of my poems, walking on them
II
I see something random
in the garden, nameless
Shoots of new tulips,
a cock-necked starling
(04-14-2015, 01:39 PM)makeshift Wrote:Thank you. I like the "geometry" references. I can work w/that. Yes, thanks.(04-14-2015, 12:34 AM)71degrees Wrote: If not "abandonment"...what might the poem suggest to you? Just curious...Im not sure exactly. In a way it makes me think of this documentary I saw on some Hippie types who were building sphere houses because "we've been living in rectangles too long"but maybe, to me, the poem feels more about separation or intersections. I keep going back to "all these things interrupting other things" as a sorta thematic guide. I think about how everything relates to one another: the garden and its content to the house, the birds to the tulips, and both to the garden. Sacred geometry even comes to mind.



but maybe, to me, the poem feels more about separation or intersections. I keep going back to "