03-19-2014, 01:04 PM
Let's see, you draw from six different cultural myths (See below, seven if you count Marduk), or religions, separated by thousands of miles and hundreds of years. None of which seem to have much to do with one another, I suppose "Marduk" could be the "undertow son" as in the "Enûma Eliš" he saves the day and defeats Tiamat's hoard while the other gods quake and shiver, and Anu makes him the supreme ruler, King or kings, so forth and so on, but then again that was the Babylonian version, and Marduk was their city god, of course they will be somewhat bias. Outside of that you are writing these little lines that are not consistent, metrically, accentually or foot wise. The whole thing seems predicated on a continuing xyxy rhyme pattern, which seems to far supersede in importance what little content there is. I would be interested to see what you think it is suppose to mean, because I can tease really no meaning from the total at all. Just great, unconnected, pontifications held together by a simplistic rhyme pattern. If this has meaning, you have left out 75% of it.
What the title has to do with this makes no sense to me.
Looking forward to your explication.
Best,
Dale
Isis, Ra (Egypt)
Lilith (Hebrew)
Shah, djinn (Persian)
Black moon (Wiccan)
Amun,(primeval Egyptian) similar to the Sumerian An, through the Akkadian Anu.
What the title has to do with this makes no sense to me.
Looking forward to your explication.
Best,
Dale
Isis, Ra (Egypt)
Lilith (Hebrew)
Shah, djinn (Persian)
Black moon (Wiccan)
Amun,(primeval Egyptian) similar to the Sumerian An, through the Akkadian Anu.
How long after picking up the brush, the first masterpiece?
The goal is not to obfuscate that which is clear, but make clear that which isn't.
The goal is not to obfuscate that which is clear, but make clear that which isn't.

