Byway From Memphis

[kboss]

The call outs for me are the line breaks (and, the, Beale, on). There were a few others too. You missed some opportunities to play with some of the lines, but mostly the breaks seemed haphazard and didn't add much in some cases.

Thanks for your comments. They are very much appreciated. Any suggestions on good readings/theory on line breaks? It's always been a rather elusive concept for me to grasp.